“fahrenheit 9/11” The Hidden Message

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<b>Who Really Wants to Invade Saudi Arabia, and Why? </b>


<b>Michael Moore’s new film “Fahrenheit 9/11” has done a tremendous favor for some proponents of a war upon the Arabian Peninsula</b>. The film achieves what endless pages of conservative think-tank studies and panel discussions, hours of PR time and books can not: spill gasoline on the anti-Saudi sparks already ignited within the United States. Moore's film lambastes the Saudis not only for their business relationships but also for leaving the US after the attacks of September 11th 2001 as did other non-Saudi officials on the same day when specific flights were permitted. <b>The overwhelming popularity of this documentary takes the anti-Saudi message to a whole new market. It is the latest manifestation of a rationale for war that could finally execute a long-term plan to invade and occupy the Kingdom</b>. In spite of its progressive producer and target audience, “Fahrenheit 9/11” falls lock-step in line with the stated agenda of neoconservative hawks: rid Arabia of the House of Saud thereby granting the US and allies full access to the Middle East's biggest prize.


The Take-Over Plan






Source: London Sunday Times, February 1975


In Feb. 1975 the London Sunday Times revealed information from a leaked and classified U.S. Department of Defense plan. The plan was code-named <b>"Dhahran Option Four" and provided for an invasion of the world's largest oil reserves, namely Saudi Arabia</b>.


<b>Classified Plans Brought to Light</b>


<b>In 1973, the Nixon administration described a plan of attack against Saudi Arabia to seize its oil fields</b> in a classified Joint Intelligence Report entitled "UK Eyes Alpha." British MI5 and MI6 were informed, and under British National Archive rules, the document was declassified in Dec. 2003. The oil embargo had been over for only three weeks but "Eyes Alpha" suggested that the "U.S. could guarantee sufficient oil supplies for themselves and their allies by taking the oil fields in Saudi Arabia, Kuwait, and the Gulf State of Abu Dhabi." It followed that "preemptive" action would be considered, and that two brigades could seize the Saudi oilfields and one brigade each could take Kuwait and Abu Dhabi
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<b>The Approaching Decision</b>


On June 25, 2004, Michael Moore's film, Fahrenheit 9/11 opened to 500 screens and insatiable crowds. The film's message to audiences is clear and simple: the U.S.-Saudi relationship must end.